Recently hailed by two-time Rock & Roll Hall of Fame inductee David Crosby as “one of the best young singer-songwriters in America – maybe even the world”, MARCUS EATON is receiving international acclaim through his music which has redefined the acoustic rock genre.
Paul Leonard-Morgan (born 1974) is a Scottish composer, particularly known for his work in scoring for television and film. He won a BAFTA award for his first film score, for the film Pineapple.
Birds of Prey (And the Fantabulous Emancipation of One Harley Quinn)” is a twisted tale told by Harley herself, as only Harley can tell it. When Gotham’s most nefariously narcissistic villain, Roman Sionis, and his zealous right-hand, Zsasz, put a target on a young girl named Cass, the city is turned upside down looking for her. Harley, Huntress, Black Canary and Renee Montoya’s paths collide, and the unlikely foursome have no choice but to team up to take Roman down. The film’s music is by Daniel Pemberton (“Spider-Man: Into the Spider-Verse”, Motherless Brooklyn), the multi Golden Globe and BAFTA Award-nominated composer who is regularly acknowledged by critics as one of the most creative, fresh, and exciting composers working in modern film scoring today.
Nathan Halpern is an Emmy-nominated composer, named one of Indiewire’s ‘Composers to Watch.’ He is the composer behind two of the most acclaimed films of 2018: The Cannes-winning narrative feature THE RIDER (Sony Pictures Classics) and the Oscar-nominated documentary feature MINDING THE GAP (HULU). The films won Best Picture and Best Documentary respectively from the NATIONAL SOCIETY OF FILM CRITICS AWARDS, and were each featured on Barack Obama’s list of the best films of 2018.
Benjamin Wallfisch is a composer, keyboardist, conductor, and orchestrator primarily of film and television music. Known more for his eclectic output than a trademark style, his work has ranged from eerie and suspenseful to jazzy and playful to lush and dramatic. After scoring the 2005 crime film Dear Wendy, he was enlisted to work on movies as diverse as the Turkish action epic Conquest 1453 (2012), the award-winning Kennedy-era drama Hidden Figures (2016), and the sci-fi noir Blade Runner 2049 (2017). Wallfisch received Grammy nominations for the latter two films, both of which he scored with Hans Zimmer.
Mamoru Fujisawa (藤澤 守, Fujisawa Mamoru, born December 6, 1950), known professionally as Joe Hisaishi (久石 譲, Hisaishi Jō), is a Japanese composer and musical director known for over 100 film scores and solo albums dating back to 1981. Hisaishi is also known for his piano scores.
Los Angeles-based English composer John Powell crafts scores for major motion pictures, with a focus on animated films and sci-fi/action movies. Following his first major score for Face/Off, he went on to compose for the Jason Bourne and the Ice Age series. In addition to multiple Saturn, BAFTA, and Annie Award nominations, Powell also received a Grammy nomination in 2008 for his score for the animated penguin flick Happy Feet, and an Oscar nomination in 2011 for his score for How to Train Your Dragon.
Makeup and Vanity Set (aka Matthew Steven Pusti) is an American music producer, composer, and multi-instrumentalist known for his dark, synthesized analog music. In keeping with the late 1970s and early ’80s setting of “Atlanta Monster,” the music sometimes feels like the work of an experimental film, and at others, like a John Carpenter theme. It has a sense of both menace and tragedy.